
Lots of people do "process posts" out there, but I never really have. Much of that has to do with the fact that many of the people who look at these things I have here are excellent artists to begin with, and are already perfectly aware of artistic "process" and don't need somebody like me to go "Ah, now, here is how we CREATE!" But in this case I actually have the various stages saved, largely by accident, so rather than just post the finished bit I thought I'd post all of it and so better better expose myself to the insults and derision of my enemies (You know who you are!) If you're learning to draw, well, maybe this'll help, maybe it won't, but if you read it at work it'll help kill some time.
First up is what we artists call the "gesture drawing", because calling them "scribbles" would be undignified. Most artists don't show their scribbles too much because they tend to look terrible, mine more so than most. It would be kind of like Rod Stewart recording and releasing that first tuneless hum in the shower that eventually became the full bodied "Da Ya think I'm Sexy". Picture Rod Stewart in the shower. PICTURE IT!
This is an important part of the whole process thing, because it's at this stage you're figuring out exactly what the hell it is you're drawing. You're trying to get the flow, form , structure and all those good things that will hopefully carry over to the end. If this were done on paper rather than in Flash, you'd see a ton of eraser marks in there and it would be really smudgy, as I tried to get something worth looking at. Some art school folks will tell you to avoid erasing at all, just let it all pour out onto the page. Screw 'em, I say. Use the eraser to try and sculpt what you're doing, don't just erase willy-nilly
Next we have the rough, or "ruff" for those of us who need to shave precious seconds by not writing an extra letter. This is usually the first stage most artists are willing to show anybody. "Yeah, I got some of my stuff right here. No big deal, just some ruffs. Y'know." Now you're picking some truth out of the scribbles, tightening things up while keeping in mind the shapes and forms (and hopefully some anatomy, if ya know any) This drawing is tighter than most of my roughs, 'cause once again I was erasing as I went. If it were pencil, there would likely be more construction lines and stuff in there. If you're drawing a formula or character you're familiar with you can likely come straight here without the scribbles, but you may find you get a stiffer drawing. I find I do, anyway.
Next, we clean! At this point I'm beginning to realize why I never do this, because as fun as it is to draw, I'm honestly starting to get a bit bored writing about it. How do those art book guys do this? That nutty Jack Hamm. Anyhoo, don't think of them as outlines so much as shapes, line weight can do a lot to keep it from getting flat, keep it loose, etc etc.
Colour! Never really got the hang of colour. I can see in colour, of course, I just have poor taste. I admire artists with good taste in colour a great deal, especially subtle, muted tones. I know the basic theory and all, but I always find myself slapping on big gobs of bright clashing pigment. For this I was kind of doing a trademark logo type of deal, so I mainly kept it minimal and striking, with an eye towards reduction and reproduction. Which is to say, her clothes are black, her book is red.
So that's my big process post. If you liked it, thanks! Your praise is gratifying, and shows your excellent taste in fine blogging! If you didn't, take solace that it's unlikely that I'll do another one soon.
Happy new year, hope 2012 is full of joy and happiness and fewer bacterial infections!